Avenue of Jesters

nyquillionaire

everydaylouie

jackpot

More you might like

beefstrugglenoff

creaman

Who says you can’t have OCs drawn exclusively in 1st person POV?

beefstrugglenoff

animentality

kaelio

No-fault divorce is actually very recent. That is, a divorce just because you wanted to get divorced and not because they were guilty of some provable transgression. California's no-fault divorce law was 1966; the latest US state, it was 2010. When I was in Catholic school, we were taught to believe in and promote anti-no-fault-divorce positions. This is very recent history, and you cannot take even this for granted. Stop being "edgy" about feminism and its flaws. Every movement will have some flaws. But do you not think that this, and the risk it represents, is significant to women as a class of all backgrounds?

furryprovocateur

it's literally as simple as "if you are against no-fault divorce, you believe that men should be able to own women like property".

redbuddi

i-was-today-years-old-when

TIL a family in Georgia claimed to have passed down a song in an unknown language from the time of their enslavement; scientists identified the song as a genuine West African funeral song in the Mende language that had survived multiple transmissions from mother to daughter over multiple centuries (x)

ancestralia

In 1997 Amelia’s daughter, Mary Moran, and other members of the Moran family were invited to Sierra Leone, West Africa, where they were welcomed in Freetown by Sierra Leone’s President and then flown by helicopter to the country’s interior. There, in the small village of Senehun Ngola, Mary and Bendu Jabati met and sang this song together for the first time. Years earlier, Bendu’s grandmother had told her that this song, which had been passed down in her village from mother to daughter for centuries, would one day reunite her to long-lost relatives.

In addition to finding out where in Africa her ancestors were abducted into slavery, Mary Moran discovered the meaning of the Mende song: a processional hymn for the final farewell to the spirit, it was sung in Senehun Ngola by women as they prepared the body of a loved one for burial.

(The OP's link leads to a site with a recording of the song sung by both Mary Moran and her mother, Amelia)

misery66

groupcritpowerdynamics

Friends in Distant Places, chalk pastel on paper

2023

spooksier

batzzzzz

Rool

metalheart-research-initiative2

robopolonius

cinnamoncandyy

gmodragdoll

googling baby name ideas can honestly be really funny sometimes

gmodragdoll

my beloved bouncing baby boy, Grenade.

sergle

chaumas-deactivated20230115

watch out with your joke phrases lest you too become the sort of person whose instinctive default greeting is “hail and well met” and whose default goodbye is “smell you later”

unironically saying yippee all the time now im happier for it i just sound like a little german boy

beefstrugglenoff

nerunodaisuki

大阪のmanchester schoolというバンドが春に出す7インチシングルのジャケ絵を描かせていただきました。
元気で跳ねるような青春感溢れる男の子！な楽曲揃いなので、Tシャツの裏表に絵を描きました。
絵の中の庭は祖母の家の庭をモデルにしました。
#illustration #darkillustration #cartoon #lowbrowart #monster #manga #artist #キャラクター #漫画
#comic #kawaii#doodle #Acrylic painting
#アクリル画

cool art

metalheart-research-initiative2

mri-old

Wallpaper 4 - IWS by yomash

Source: deviantart.com cool art

vela--nova punkitt-is-here

taffywabbit

idk if i'm way off the mark on this, but the way some people are responding to that Guillermo del Toro interview about the decline of studio animation is a bit frustrating to me. specifically the bit where he talks about "emoji animation" and how everything is over-animated and pushed too far and things are rarely allowed to not be ultra-cartoony (y'know, because animation always needs to be marketable to children who are never trusted to have attention spans, right?). like, i think he's generally correct about it! but some folks are taking the wrong message away from that.

i've seen people going off about how "soulless" and "corporate" various recent examples are, and talking about these pieces of media as though they're the result of some kind of personal failing or lack of skill/range on the part of the animators, and it's just like. do people realize that's the only animation you're usually allowed to DO in the industry, unless you get incredibly lucky and land yourself on a project/studio that's unusually cool?

when i was in college for animation it was literally drilled into us nonstop that everything had to be pushed more, that exaggeration was not a guideline or a sometimes-treat but a hard rule that always had to be applied regardless of what was going on, because the viewer couldn't be trusted to pick up on subtlety and we sure as hell couldn't be trusted to convey it. you ever wonder why there's such a specific vibe to a lot of self-directed student films, particularly ones that are focused on character acting/interaction or deep emotions and introspection (especially when there's minimal/no dialogue)? it's because for a lot of young animators, they haven't had the freedom to experiment with realism and subtlety up to that point and they're likely not going to have it again for a while (or at all, unless their career path leads to higher positions where they might have more creative direction over the things they work on. which also becomes a lot less likely if they're anything other than a cishet white dude, for what it's worth).

i would LOVE to see more nuanced, realistic, understated motion and acting in animation. i WANT more characters to be able to express what they're feeling through natural body language and facial cues and for scenes to allow me to breathe instead of spelling everything out in giant bold flashing text all the time. what del Toro wants to see changed in the animation industry sounds great, and i hope others join him in seeking to revamp what modern animation is allowed to be.

but as things currently stand, and as they've stood for a long while now, most artists doing the grunt work on the shows and movies you see are completely at the mercy of corporations and networks who have a vested interest in producing a very specific kind of marketable and cost-efficient media all the time. (and by extension that style is ALSO what's taught in most animation schools, because their job more than anything is to grind you down into a perfect little sweatshop worker who will bend over backwards to meet quotas and get your work approved and not question the higher-ups, even if you have little to no personal investment in the projects you're working on, so that the studios who employ you can maintain their good reputations or whatever)

anyways idk what my point was here, this really just sorta became a rant and my views have undoubtedly been coloured by my own personal experiences (this kinda shit is largely why i dropped out before my last year of animation school, for the record).

i guess just be kind to folks in the animation industry? they've had it fucking rough nonstop for well over a century (the majority of them are still not unionized and there's HUGE pushback against doing so in many places). i assure you they are doing their best to infuse the latest uninspired illumination flick or weird spinoff kids' show with literally any amount of soul they can. you don't have to like the stuff that gets produced by any means! be a hater! i'm certainly not gonna stop you. just remember where these creative decisions come from and why these conditions exist, and consider that when YOU watched something and thought "hmm that could've been done better", you can bet your ass someone actually working on it probably thought the same thing but couldn't do anything about it. these things WILL change as the industry itself improves, but in the meantime folks have to pay their rent, and that usually means doing what they're told and working in a way that will minimize revisions and meet quotas so they can keep their jobs. it sucks, but it is what it is.

Avenue of Jesters — jackpot

See, that’s what the app is perfect for.

More you might like